A few B&W landscapes with the Ricoh GR Digital III

Shot with: Ricoh GR Digital 3I’m not much of a landscape shooter and I think it shows. I feel quite helpless when trying to compose a landscape shot. When shooting portraiture, animals or macro I often get that “click…nailed it!” feeling. Even before viewing the photo on the back screen or on the PC display at home, I know that the shot is good. However, I can’t remember ever getting that feeling when shooting landscapes. It’s more like “click…hmm, is it any good?”
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Slug eating grass – A short video

Yesterday night I recorded a short video of a slug – I believe it’s a Limax flavus – eating grass. The video was recorded handheld with a Nikon 1 V1, a Nikon 1 Nikkor 30-110mm f/3.8-5.6 and Raynox DCR-250 achromatic close up lens. I held the camera with my right hand, while illuminating the slug with my phone’s built in LED with my left. You can even hear a rooster crowing in the background. 🙂


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Canon FD 200mm F4 Macro – the newest addition to my arsenal

Canon FD 200mm f/4 Macro is the kind of lens I wanted Olympus and Panasonic to release for quite some time now. In my mind smaller sensor formats, like micro four thirds and Nikon 1, are perfectly suited for macro photography – especially for skittish macro subjects, such as damselflies, dragonflies and butterflies. It’s a real shame that neither Olympus/Panasonic nor Nikon have released a long macro lens for their respective systems. In absence of such a lens, the best option is to get a legacy lens and a suitable adapter and focus manually.

Depicted: Olympus OM-D E-M10 & Canon FD 200mm F4 Macro Continue reading

By the Danube river

Two weekends ago Sani and I were visiting Sani’s cousin in Veliko Gradiste, a small town on the banks of Danube in eastern Serbia. We were attending the birthday of her twin daughters. Before the other guests arrived and the party started on Saturday, I snuck out and went on a stroll along the Danube. For me this was the perfect opportunity to shoot pictures of waterbirds that can’t be found along the small river Mlava in my hometown of Petrovac na Mlavi. Admittedly the Nikon 1 Nikkor 30-110mm f/3.8-5.6 – being too short – is not the best suited lens for these kinds of subjects. It was a fun exercise nonetheless.

Shot with: Nikon 1 V1 & 1 Nikkor 30-110mm f/3.8-5.6

Nikon 1 V1 & 1 NIKKOR VR 30-110mm f/3.8-5.6 — ƒ/5.6, 110mm, 1/250s & ISO100

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Another batch of macro shots with the Nikon 1 Nikkor VR 30-110mm f3.8-5.6

I’ve been shooting a lot of macro photos since my last post on this topic. Most of the time – almost exclusively, actually – I’ve used my Nikon 1 V1 and 1 Nikkor 30-110mm f/3.8-5.6, with or without achromatic close-up lenses. You don’t really need a close-up lens or a real macro lens for larger insects like damselflies or dragonflies. The following photos were captured without a close-up lens and show how close you can get to your macro subject with just the 30-110mm.

Note: Click on any of the following photos to view it large.

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Nikon 1 V1 and 1 Nikkor 30-110mm f/3.8-5.6 — 110mm, f/5.6, 1/200s and ISO100

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Samyang announces the new XEEN 135mm T2.2 cine lens for MFT and other mounts

Samyang-Xeen-135mm-T2.2-cinema-lens-teaser

The South Korean lens manufacturer Samyang – also distributed under the Rokinon and Walimex brands in the US and Germany respectively – has announced the new XEEN 135mm T2.2 cinema lens for a variety of mounts. This is the first of five lenses Samyang will announce in the coming weeks. There will also be a micro four thirds version of this lens and according to the info on the official product page the lens mount is supposed to be interchangeable, so that you can use one lens on many different cameras.

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Cosmicar 8mm f/1.4 on M4/3 and Nikon 1 – A total bust?

A couple of days ago I bought a Cosmicar 8mm f/1.4 CCTV C-mount lens. Since there are no ultra-fast ultra-wide angle lenses for either Micro Four Thirds or Nikon 1, I wanted to try it out and see if it would work. What I wanted to use it for were nighttime landscapes with an emphasis on the sky. I always wanted to try out photographing the stars, Milky Way, etc. Of course, as is often the case with C-mount lenses, there was a chance that it wouldn’t work at all.

A rare lens

There is no mention of the Cosmicar 8mmm f/1.4 CCTV C-mount lens on either ebay US or ebay Germany – not even under completed listings. There is also very little info regarding the lens on the web. I found a thread on mu-43.com eventually, but this was after I bought the lens. There is a lot more info about Cosmicar 8mm f/1.5 and 8.5mm f/1.5 lenses, though, neither of which are able to illuminate the entire 4/3 sensor.

Since there seem to be a lot of similar lenses – at least with similar specs – I’ve included several images of my Cosmicar 8mm f/1.4 down below.

Shot with: Nikon 1 V1 & 1 Nikkor 30-110mm f/3.8-5.6 Continue reading

ePhotozine reviews the new Meike 25mm F0.95 lens

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About one and a half months ago Meike announced a 25mm F0.95 lens and three additional prime lenses for almost all mirrorless camera mounts – even Nikon 1. ePhotozine has posted a review of the of the micro 4/3 version of the 25mm F0.95 lens. The verdict reads as follows:

Of course, we have to accept that this is a manual focus lens, which will not be to everyone’s taste, but if we are prepared to live with that then we end up with a very desirable lens. It is sharp, albeit not at the edges until f/2, in the centre outstandingly sharp, there is no trace of flare, CA is well under control and the price very reasonable for what we are getting. We can add to that the creative possibilities for stills and movies of that f/0.95 aperture and it makes a good case for giving the Meike 25mm f/0.95 serious consideration.

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A damselfly on my finger – Another damselfly video

Yesterday I recorded another damselfly video with me trying to pick one up with my finger from an aquatic plant and failing a couple of times, but succeeding in the end. This video was recorded with a Nikon 1 V1 and Nikon 1 Nikkor 10-30mmm f/3.5-5.6 and is therefore far better quality wise than the last one, which was filmed with a Ricoh GR Digital III in standard resolution (640*480 pixels).

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