Yesterday I recorded another damselfly video with me trying to pick one up with my finger from an aquatic plant and failing a couple of times, but succeeding in the end. This video was recorded with a Nikon 1 V1 and Nikon 1 Nikkor 10-30mmm f/3.5-5.6 and is therefore far better quality wise than the last one, which was filmed with a Ricoh GR Digital III in standard resolution (640*480 pixels).
Achromatic close-up lenses are one of the most popular options among photographers who want to get a taste of macro photography without breaking the bank. They are a special kind of close-up lenses with multiple lens elements instead of just one. This minimizes chromatic aberration and ensures better image quality at the borders of the frame.
Two highly regarded achromatic lenses are the Marumi DHG200 +5 and Raynox DCR-250. They cost almost the same, around 50-55 bucks. I own both of them and I’m more than satisfied with their build and image quality. That being said, there are some differences that will make you prefer one over the other, unless you want to own both. 😉 So let’s get to it!
I’ve added lots of photos taken with the Marumi DHG200 + 5 with the Nikon 1 V1 and 10-30mm and 18.5mm f/1.8 as well as Olympus OM-D E-M10 and 45mm f/1.8. There are now more photos of the said cameras and lenses with and without the Marumi attached to them. And last but not least there are also full resolution comparison images taken with the Nikon and Olympus gear, so that you can get a better idea of the boost to magnification ratio it provides. You can check out the review here.
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For more than a month I’ve been teaching my girlfriend Sani how to take photos consciously by using a “serious” camera, like the Nikon V1. Being someone who wasn’t interested in photography in the past, her experience is limited to taking snapshots with smartphones and full auto compact cameras. Using a camera with manual controls, like aperture, shutter speed and ISO settings, is a totally new experience to her. Nevertheless she enjoyed using the Nikon V1, Nikkor 18.5mm f/1.8 (check out my Review of the lens here) and 10-30mm f/3.5-5.6. I’m guessing it’s the fast AF, operational speed, accurate metering and WB what she’s liking about it. Lacking experience, she can’t put into words what it is that she finds enjoyable about using the gear. We have undertaken several photo walkabouts since I started teaching her. The first time she wasn’t exactly thrilled (I had to twist her arm a bit…), but once we got home, and I deleted the vast majority of rejects and shown her the strongest photos, some of which you can see below, she was very excited. After that it took some time until I finally got to post processing her shots, which was done under her guidance and to her taste. She doesn’t know how to use Lightroom yet, but knows what she likes and how the shots should look.
More than two years after release Nikon still doesn’t offer a native macro lens for its Nikon 1 system. This means that if you intend to take macros, you are left with a few “odd” choices. The most powerful, but also the most expensive and bulky solution is to buy the FT-1 adapter and a DX or FX Micro-Nikkor, like the 40mm f/2.8, 60mm f/2.8G ED, 85mm f/3.5 IF-ED or 105mm f/2.8 IF-ED. These lenses will allow you to achieve even greater image ratios (above 1:1) on N1 cameras than when used on DX or FX Nikon DSLRs. Including the FT-1 adapter these setups will cost you from $530 up to $1000. The other two solutions are intelligent extension tubes for existing Nikon 1 lenses (you can’t buy a “dumb” tube, because AF will not work, and “by wire” MF and aperture control on N1 lenses need power from the camera) or achromatic and close-up lenses. Both are considerably cheaper, but also less powerful. BUT, depending on your expectations, cheap solutions such as extension tubes and achromatic lenses could be just the right thing for you. One of my main reasons for investing in Nikon 1 was low size and weight, which was the reason I wasn’t ready to add so much weight and bulk to my photo bag with the FT-1 and a full grown Nikkor. I ended up buying the Marumi DHG200 +5 achromatic lens with a 52mm filter thread and a 40.5mm to 52mm step-up ring instead, which turned out to be perfect for my needs. At least until Nikon releases a native Micro-Nikkor for Nikon 1, in which case I will get that lens and use it WITH the Marumi. Here is what the Marumi looks like mounted on the Nikon V1 and 10-30mm.
I’ve believed from the start that Nikon 1 cameras are capable of great results. Before I bought the V1 last November, I counted myself lucky when one of my images on flickr was viewed 100 or 200 times. Although I’m perfectly aware that flickr views are meaningless, it’s nice to be able to produce photographs, which interest people. The fact that many of my images taken with the V1 are rather popular (500 views on average) reassures me that I’m not a deluded fanboy praising the camera to the skies. Other people seem to like the output the V1, especially with the 18.5mm f/1.8, is capable of just as much as I do. I now have over a dozen photos with over 1000 views (UPDATE: over a 170 photos as of 12/2013). Here are some of them:
Shortly after I bought my Nikon V1 with the 10-30mm f/3.5-5.6 last November, I decided to get a nice, small bag for my Nikon 1 kit. My previous “bag” of choice was a worn out Nike sports rucksack, which I used to carry around my old, analogue Nikon SLRs, Contax G1 and Bronica ETRS. The rucksack was way oversized for a small N1 kit. Since I wanted a small bag, large enough to carry around a medium-sized kit (at that time I only had the V1 and 10-30mm, but was planning to expand my lens collection), I made a decision to get Lowepro Rezo 110 AW.