Yesterday night I recorded a short video of a slug – I believe it’s a Limax flavus – eating grass. The video was recorded handheld with a Nikon 1 V1, a Nikon 1 Nikkor 30-110mm f/3.8-5.6 and Raynox DCR-250 achromatic close up lens. I held the camera with my right hand, while illuminating the slug with my phone’s built in LED with my left. You can even hear a rooster crowing in the background. 🙂
Three weeks ago I bought a used Nikon 1 Nikkor VR 30-110mm f/3.8-5.6 lens for my Nikon 1 V1. It wasn’t exactly in pristine condition, but the price was too tempting to let the opportunity pass. As the luck would have it, my EN-EL15 battery died just several days before. The 30-110mm arrived sooner than my replacement battery from ChiliPower. Since going by its cosmetic condition I wasn’t sure that it would even work, I was biting my nails, waiting to test the lens out. And as you probably know, if you’ve bought enough used gear online, there are many conman out there. Luckily the 30-110mm turned out to be an excellent workhorse in disguise of an ugly duckling. 🙂
Achromatic close-up lenses are one of the most popular options among photographers who want to get a taste of macro photography without breaking the bank. They are a special kind of close-up lenses with multiple lens elements instead of just one. This minimizes chromatic aberration and ensures better image quality at the borders of the frame.
Two highly regarded achromatic lenses are the Marumi DHG200 +5 and Raynox DCR-250. They cost almost the same, around 50-55 bucks. I own both of them and I’m more than satisfied with their build and image quality. That being said, there are some differences that will make you prefer one over the other, unless you want to own both. 😉 So let’s get to it!
Photographers often use lenses for subjects they are not primarily designed for. Macro lenses, for example, often double as portraiture lenses – especially the ones with medium-long focal lengths. But how about doing it the other way around and using a dedicated portrait lens – such as the Olympus 45mm f/1.8 for micro 4/3 – for macro photography? Not a good idea? Well, no, not if you are only going to use the portrait lens. But if you attach one or two close-up lenses, you will be surprised what can be done with that kind of set-up. Take a look at the following photos I’ve shot with the Olympus OM-D E-M10, 45mm f/1.8, Marumi DHG200 (read my review here) and Raynox DCR-250. It’s important to note that none of these images were cropped.